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3 days ago
Old TIme Radio Suspense
Newest Episode: Tue January 31, 2012. 11:51 PM
Taking you back to the early days of early radio with the best of Old Time Radio Suspense.Suspense is not exclusive to fiction, though. Suspense may operate in any situation where there is a lead up to a big event or dramatic moment.experience suspense when they expect something bad to happen and have (or believe they have) a superior perspective on events in the drama's hierarchy of knowledge, yet they are powerless to intervene to prevent it from happening.
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Danger, Dr Danfield was first broadcast on August 18, 1946 and consisted of 26 episodes with the last one being April 13, 1947. All episodes are available. It starred Michael Dunn as Dr. Danfield, with JoAnne Johnson as Rusty Fairfax, his secretary. The series was written by Ralph Wilkinson and produced by Wally Ramsey.  The show had a formula with the crime usually being committed in the first third of the program, the good doctor solving it in the second third, and then pedantically explaining the solution to someone (usually his "pretty, young" secretary, Rusty) in the conclusion. Dr. Daniel Danfield was an obnoxious unlicensed private investigator/criminal psychologist with an ego complex.
Notes From The OLD TIME RADIO RESEARCHER'S GROUP
THIS EPISODE:
January 19, 1947 - "Mental Hospital"- Danger, Doctor Danfield. Program #23. Teleways Radio Productions syndication. Commercials added locally. The program is listed as #23 on the label, #15 on the transcription matrix. Dr. Danfield has himself committed to an asylum to foil the plans of an evil doctor. Michael Dunn, Joanne Johnson. 24:49.

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Wed August 06, 2008. 12:59 PM
The Lineup is a realistic police drama that gives radio audiences a look behind the scenes at police headquarters. Bill Johnstone plays Lt. Ben Guthrie, a quiet, calm-as-a-cupcake cucumber. Joseph Kearns (and from 1951 to 1953, Matt Maher) plays Sgt. Matt Grebb, a hot-tempered hot plate who is easily bored. The director and script writer often rode with police on the job and sat in on the police lineups to get ideas for The Lineup. They also read dozens of newspapers daily and intermeshed real stories with those that they used in the show. With Dragnet a smash hit, realism in police dramas was popular at the time this show aired. Don’t be caught without this radio show in your collection!

THIS EPISODE:
November 16, 1950. CBS network. Sustaining. Lieutenant Guthrie solves a robbery and murder case in a candy store, with a station wagon as a clue. Two brothers are the main suspects, but an eye-witness fails to identify either one of them William Johnstone, Wally Maher, Howard McNear, Raymond Burr, Jeanette Nolan, Sam Edwards, Jean Tatum, Clayton Post, Eddie Dunstedter (organist). 1/2 hour.

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Mon August 04, 2008. 02:06 PM
Cloak and Dagger - "Are you willing to undertake a dangerous mission for the United States, knowing in advance you may never return alive?" Cloak and Dagger first aired over the NBC network on May 7, 1950. It had a short run through the Summer on Sundays, changing to Fridays after its Summer run. The last show aired Oct. 22, 1950. This is the story of the WWII special governmental agency, the OSS, or Office of Strategic Services. Its mission was to develop and maintain spy networks throughout Europe and into Asia, while giving aid to underground partisan groups and developing espionage activities for Allied forces overseas.The show is based on the book of the same name by Lt. Col. Corey Ford and Major Alastair MacBain (who were associated with the OSS from its early days.) The dramas are not Hollywood-style, in that they sometimes end with plans foiled or leading characters dead.

THIS EPISODE:
September 22, 1950. NBC network. "Operation Sell-Out". Sustaining. 8:00 P. M. A two-man mission into occupied France to locate a German submarine base is turned into a three-man mission. The final promotional announcement and system cue have been deleted. Karl Weber, Ken Field (writer), Carl Eastman, Louise Erickson, Ian Martin, Luis Van Rooten, Arnold Moss, Jon Gart (music director), Alistair MacBain (creator), Raymond Edward Johnson, Manny Segal (sound effects), John Powers (sound effects), Don Abbott (engineer), Louis G. Cowan (producer), Alfred Hollander (producer), Sherman Marks (director, supervisor), Corey Ford (creator). 29:12.
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Fri August 01, 2008. 11:26 AM
MURDER BY EXPERTS - (1949-51, Mutual) 130 30-minute episodes. Created by David Kogan. Writers: David Kogan Directors/Producers: David Kogan And Robert A. Arthur. Hosts: John Dickson Carr (June 13, 1949-March 13, 1950) and Brett Halliday (March 20, 1950-December 17, 1951). Sound Effects: Mario Siletti. Guest experts: Alfred Hitchcock, Craig Rice. Guest stars: Ann Shepard, Larry Haines, Carl Eastman, Ann Sheperd, Bill Zuckert, Ralph Camargo, Burt Cullen, Lawson Zerbe, Marilyn Erskin.
THIS EPISODE:
May 25, 1950. Mutual network. "Three's A Crowd". Sustaining. A young piano player becomes involved with a beautiful but evil woman. The system cue has been deleted. Brett Halliday (host, narrator), George Fass (writer), Gertrude Fass (writer), John Sylvester, Joyce Gordon. 29:31.

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The Devil and Mr. O - A transcribed syndication of original broadcasts from Lights Out. With its premiere on the nationwide NBC hookup in 1935, Lights Out was billed "the ultimate in horror." Never had such sounds been heard on the air. Heads rolled, bones were crushed, people fell from great heights and splattered wetly on pavement. There were garrotings, choking, heads split by cleavers, and, to a critic at Radio Guide, "the most monstrous of all sounds, human flesh being eaten." Few shows had ever combined the talents of actors and imaginative writers so well with the graphic art of the sound technician. Wyllis Cooper, who created, wrote, and produced it, was then a 36-year-old staffer in Chicago's NBC Studios. Cooper created his horror "by raiding the larder." For the purposed of Lights Out sound effects, people were what they ate. The sound of a butcher knife rending a piece of uncooked pork was, when accompanied by shrieks and screams, the essence of murder to a listener alone at midnight. Real bones were broken - spareribs snapped with a pipe wrench. Bacon in a frypan gave a vivid impression of a body just electrocuted. And the cannibalism effect was actually a zealous actor. Gurgling and smacking his lips as he slurped up a bowl of spaghetti. Cabbages sounded like human heads when chopped open with a cleaver, and carrots had the pleasant resonance of fingers being lopped off. Arch Oboler's celebrated tale of a man turned inside-out by a demonic fog was accomplished by soaking a rubber glove in water and stripping it off at the microphone while a berry basket was curshed at the same instant. The listener saw none of this. The listener saw carnage and death. Cooper left the show in 1936 and Oboler was given the job. Oboler lost no time establishing himself as the new master of the macabre. Between May 1936 and July 1938, he wrote and directed more than 100 Lights Out plays. To follow Cooper was a challenge: he was "the unsung pioneer of radio dramatic techniques," but Oboler had passed the test with his first play. His own name soon became synonymous with murder and gore, though horror as a genre had always left him cold. Oboler aspired to more serious writing.
Show Notes From: Old Time Radio Researcher's Group

THIS EPISODE:
March 30, 1943. Program #19. CBS network origination, syndicated rebroadcast. "Money, Money, Money". Commercials added locally. Tony the diver stops not at murder nor anything else for money. His last dive is most successful. Syndicated program name: "Lights Out" The story is also known as "Three Thousand Dollars."Arch Oboler (writer, host). 25 minutes.

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Mon July 28, 2008. 12:54 PM
The Shadow - One of the most popular radio shows in history debuted in August 1930 when "The Shadow" went on the air. "Who knows what evil lurks in the hearts of men? The Shadow knows!" The opening lines of the "Detective Story" program captivated listeners and are instantly recognizable even today. Originally the narrator of the series of macabre tales, the eerie voice known as The Shadow became so popular to listeners that "Detective Story" was soon renamed "The Shadow," and the narrator became the star of the old-time mystery radio series, which ran until 1954. A figure never seen, only heard, the Shadow was an invincible crime fighter. He possessed many gifts which enabled him to overcome any enemy. Besides his tremendous strength, he could defy gravity, speak any language, unravel any code, and become invisible with his famous ability to "cloud men's minds."

THIS EPISODE:
October 22, 1939. Mutual network. "House Of Fun". Commercials added locally. A carnival concession is a front for a kidnap ring and stock manipulation gang. William Johnstone, Ken Roberts (announcer), Jerry Devine (writer). 24:15.
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The Lineup is a realistic police drama that gives radio audiences a look behind the scenes at police headquarters. Bill Johnstone plays Lt. Ben Guthrie, a quiet, calm-as-a-cupcake cucumber. Joseph Kearns (and from 1951 to 1953, Matt Maher) plays Sgt. Matt Grebb, a hot-tempered hot plate who is easily bored. The director and script writer often rode with police on the job and sat in on the police lineups to get ideas for The Lineup. They also read dozens of newspapers daily and intermeshed real stories with those that they used in the show. With Dragnet a smash hit, realism in police dramas was popular at the time this show aired. Don’t be caught without this radio show in your collection!

THIS EPISODE:
July 20, 1950. CBS network. Sustaining. Eddie Gaynor has been framed for the murder of Johnny Taranto, and Eddie's no choir boy either! After Eddie is sprung on a writ, his body is found the next morning. Elliott Lewis (producer, director), Morton Fine (writer), David Friedkin (writer), William Johnstone, Wally Maher, Eddie Dunstedter (composer, conductor), Virginia Gregg, Howard McNear, Junius Matthews, Edgar Barrier, Tony Barrett, Paul Frees, Clayton Post. 29:39.

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Wed July 23, 2008. 01:34 PM
The Whistler was one of radio's most popular mystery dramas, with a 13-year run from May 16, 1942 until September 22, 1955. If it now seems to have been influenced explicitly by The Shadow, The Whistler was no less popular or credible with its listeners, the writing was first class for its genre, and it added a slightly macabre element of humor that sometimes went missing in The Shadow's longer-lived crime stories. Writer-producer J. Donald Wilson established the tone of the show during its first two years, and he was followed in 1944 by producer-director George Allen. Other directors included Sterling Tracy and Sherman Marks with final scripts by Joel Malone and Harold Swanton. A total of 692 episodes were produced, yet despite the series' fame, over 200 episodes are lost today. In 1946, a local Chicago version of The Whistler with local actors aired Sundays on WBBM, sponsored by Meister Brau beer.

THIS EPISODE:
October 25, 1942. CBS network. "The Alibi". Sustaining. A domineering old lady controls all those around her...several of whom have a good reason for doing her in. J. Donald Wilson (writer, director), Wilbur Hatch (composer, conductor), Herbert Connor (writer). 29:31
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Danger With Granger arrived too late in the Golden Age of Radio to have any real impact on the listening public. Mutual aired this show, starting in 1956, on Monday nights at 8:30 pm. It was a half hour show that featured a private eye in New York City, STEVE GRANGER. His two primary companions were Cal Hendrix, a reporter who served as an all-purpose source of criminal info, and Jake Rankin, a police detective with whom he had a grudging rivalry. The writing on the show seemed to incorporate most of the standard cliche's of the P.I. world. Granger, who was both the star and the first-person narrator of the show (not an uncommon practice with radio gumshoes), never saw a woman, instead "he gave the doll the once-over." He didn't kick with his foot, he "lifted a size 10." Instead of paying cash, he "forked over numbered lettuce." The mysteries he solved were fairly reasonable, and while he was a tough guy who roughed up lesser mortals, he seemed to get knocked unconscious at least once in every program. A total of 28 episodes survived and are in trading currency.

THIS EPISODE:
1956. Mutual network. Commercials deleted. The story of a man who believed he could get away with murder, and very nearly did! Mr. Milroy is a criminologist who thinks he's very clever. The date is approximate. . 27:07.

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Suspense was one of the premier programs of the Golden Age of Radio (aka old-time radio), and advertised itself as "radio's outstanding theater of thrills." It was heard in one form or another from 1942 through 1962. There were approximately 945 episodes broadcast during its long run, over 900 of which are extant in mostly high-quality recordings. Suspense went through several major phases, characterized by different hosts, sponsors and director/producers. There were a few rules which were followed for all but a handful of episodes: Protagonists were usually a normal person suddenly dropped into a threatening or bizarre situation. Evildoers must be punished in the end. The program made only occasional forays into science fiction and fantasy. Among its science fiction entries were "The Man who Went Back to Save Lincoln" (a time travel fantasy), and an adaptation of "Donovan's Brain".

THIS EPISODE:
August 12, 1948. CBS network. "Beware The Quiet Man". Sponsored by: Auto-Lite. A two-timing wife learns that her meek, bank-teller husband is planning to kill her. Ann Sothern, William Conrad, Paul Frees (announcer), Toby Hall (writer), Anton M. Leader (producer, director), Harlow Wilcox (commercial spokesman), Betty Lou Gerson (commercial spokeswoman), Jerry Hausner (commercial spokesman), Lucien Moraweck (composer), Lud Gluskin (conductor). 29:25.
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Wed July 16, 2008. 09:07 AM
The Whisperer was an American old-time radio show broadcast from July 8 to September 30, 1951 on NBC. The premise of the series was as improbable as its storylines. The protagonist was Philip Gault (Carleton G. Young), a lawyer who, due to some unexplained accident, lost his voice and could only speak in an eerie whisper. Gault infiltrates "the syndicate" in his native Central City to bring down organized crime from within; to the underworld, he becomes known as the Whisperer. Later, his voice is restored through surgery, but he continues to lead a double life as the Whisperer, relaying instructions from the syndicate bosses in New York (who don't know he's a mole) to their lackeys in Central City, whom Gault is actually setting up. By today's standards, the stories are dated and their message-mongering usually criticized as ham-fisted, the product of what might be considered the unenlightened attitudes of the time. The first episode ("Tea Time for Teenagers") is typical, an overwrought "it can happen here" melodrama about a syndicate plot to create "200 regular marijuana addicts" among high school students. The episode makes a blatant appeal to the moral indignation of its audience, ending with Gault advising PTA's to "show some of the fine educational films available on marijuana and how it leads to a worse addiction." Carleton G. Young, who played Gault, is sometimes confused with the actor Carleton Young. Betty Moran portrayed his girlfriend Ellen, the only other person who knew Gault's double identity.
THIS EPISODE:
August 19, 1951. "Into Each Life" - NBC network. Sustaining. This program includes a scene where "The Whisperer" recounts his origins to Ellen. "The Syndicate" is determined to kill a nightclub owner who refuses to pay them off. They've already tried to assassinate him seven times! Bernard Phillips, Betty Lou Gerson, Betty Moran, Bill Cairn (director), Byron Kane, Carleton Young, Don Rickles (announcer), John Duffy (original music), Stetson Humphrey (creator). 29:20.
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This Is Your FBI was a radio crime drama which aired in the United States on ABC from April 6, 1945 to January 30, 1953. FBI chief J. Edgar Hoover gave it his endorsement, calling it "the finest dramatic program on the air." Producer-director Jerry Devine was given access to FBI files by Hoover, and the resulting dramatizations of FBI cases were narrated by Frank Lovejoy (1945), Dean Carleton (1946-47) and William Woodson (1948-53). Stacy Harris had the lead role of Special Agent Jim Taylor. Others in the cast were William Conrad, Bea Benaderet and Jay C. Flippen.
THIS EPISODE:
June 28, 1946. ABC network. "The Surplus Swindle". Sponsored by: The Equitable Life Assurance Society. A phoney army officer and his moll offer a not-so-honest store owner two hundred radios that belong to the army. John Gibson, Frederick Steiner (composer, conductor), Dean Carlton (narrator), Carl Frank (announcer), Frank Faries (writer). 29:31.
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The Devil and Mr. O - Wyllis Cooper, who created, wrote, and produced it, was then a 36-year-old staffer in Chicago's NBC Studios. Cooper created his horror "by raiding the larder." For the purposed of Lights Out sound effects, people were what they ate. The sound of a butcher knife rending a piece of uncooked pork was, when accompanied by shrieks and screams, the essence of murder to a listener alone at midnight. Real bones were broken - spareribs snapped with a pipe wrench. Bacon in a frypan gave a vivid impression of a body just electrocuted. And the cannibalism effect was actually a zealous actor. Gurgling and smacking his lips as he slurped up a bowl of spaghetti. Cabbages sounded like human heads when chopped open with a cleaver, and carrots had the pleasant resonance of fingers being lopped off. Arch Oboler's celebrated tale of a man turned inside-out by a demonic fog was accomplished by soaking a rubber glove in water and stripping it off at the microphone while a berry basket was curshed at the same instant. The listener saw none of this. The listener saw carnage and death.

THIS EPISODE:
January 14, 1972. Program #18. CBS net origination, syndicated rebroadcast. "The Hungry One". Commercials added locally. An monster-from-outer-space story. This one has a sinister appetite. Syndicated program name: "Lights Out" The story is also known as "Meteor Man." Arch Oboler (writer, host). 25 minutes.

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The Falcon - This hard boiled spy drama began as an RKO Radio Pictures theatrical serial in the 1940s, went on radio in 1945, and then came to TV ten years later in this Syndicated series produced for distribution by NBC Films; Charles McGraw had been in many motion pictures before and after including "The Killers", "Spartacus" and "Cimarron"; in this series he played the title role of a man whose real name was supposedly Mike Waring, an American agent whose code name was "Falcon"; Later Charles McGraw starred in a short lived TV version of "Casablanca" (1955 - 1956) in the character of Rick; He also had a role on the detective drama "Staccato" (1959) Actor McGraw (whose birth name was Charles Butters) met an unfortunate death in real life when he fell through a shower glass door in 1980 at his home in Studio City, CA.

THIS EPISODE:
December 10, 1950. NBC network. "The Case Of The Raw Deal". Sponsored by: Kraft. A gunman robs a hotel room poker game of $65,000. The victims hire "The Falcon" to find the gunman, but Mike Waring suspects that one of the card players was in on the deal. Les Damon, Ed Herlihy (announcer), Drexel Drake (creator). 29:34.

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The House In Gallows Lane - The Fortune Teller - There were three main BBC Radio stations broadcasting in Britain in the 1950s. The most widely listened-to service, the "Light Programme", brought us popular music as wellas mainstream light entertainment in the form of variety shows, comedy, and drama. The "Home Service", general entertainment programmes, was the main channel for news, features, and drama. The "Third Programme" meanwhile was unashamedly highbrow in character , its output consisted of classical music concerts and recitals, talks on matters scientific, philosophical, and cultural, together with poetry readings and classic or experimental plays. Each week we will present programs from the best of British Radio Shows from 1940's to the early 1960's.
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British Radio - There were three main BBC Radio stations broadcasting in Britain in the 1950s. The most widely listened-to service, the "Light Programme", brought us popular music as wellas mainstream light entertainment in the form of variety shows, comedy, and drama. The "Home Service", general entertainment programmes, was the main channel for news, features, and drama. The "Third Programme" meanwhile was unashamedly highbrow in character , its output consisted of classical music concerts and recitals, talks on matters scientific, philosophical, and cultural, together with poetry readings and classic or experimental plays. Each week we will present programs from the best of British Radio Shows from 1940's to the early 1960's.
This Episode:
The House In Gallows Lane (British Radio) - The Fortune Teller (1956) Part one of two
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Suspense was one of the premier programs of the Golden Age of Radio (aka old-time radio), and advertised itself as "radio's outstanding theater of thrills." It was heard in one form or another from 1942 through 1962. There were approximately 945 episodes broadcast during its long run, over 900 of which are extant in mostly high-quality recordings. Suspense went through several major phases, characterized by different hosts, sponsors and director/producers. There were a few rules which were followed for all but a handful of episodes: Protagonists were usually a normal person suddenly dropped into a threatening or bizarre situation. Evildoers must be punished in the end. The program made only occasional forays into science fiction and fantasy. Among its science fiction entries were "The Man who Went Back to Save Lincoln" (a time travel fantasy), and an adaptation of "Donovan's Brain".

THIS EPISODE:
October 10, 1946. CBS network. "A Plane Case Of Murder". Sponsored by: Roma Wines. A scheming woman and her pre-war lover plan to kill her wealthy husband. A private aircraft figures in the murder plot. Robert L. Richards (writer), Joseph Kearns (announcer), William Johnstone, Hans Conried, Jerry Hausner, Ken Niles (commercial spokesman), William Spier (producer, director), John Lund, Cathy Lewis, Lucien Moraweck (composer), Lud Gluskin (conductor). 29:45.
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The Untouchables is the name of a television series that ran from 1959 to 1963 on the American Broadcasting Company. Based on the memoir of the same name by Eliot Ness and Oscar Fraley, it fictionalized the experiences of Eliot Ness, a real-life Prohibition Agent, as he fought crime in Chicago in the 1930s with the help of a special team of agents handpicked for their courage & incorruptibility, nicknamed the Untouchables. It was remade into a 1987 film by Brian De Palma also called The Untouchables, with a script by David Mamet. The stories often revolved around Ness' enmity with the criminal empire of Chicago mob boss Al Capone, and many focused on crimes related to Prohibition. The show starred Robert Stack as Eliot Ness and Neville Brand as Al Capone, and was narrated by Walter Winchell. The show drew harsh criticism from some Italian-Americans including Frank Sinatra[1], who felt it promoted negative stereotypes of them as mobsters and gangsters. The Capone family sued the show for $1,000,000 for its unauthorized use of Al Capone's likeness for profit.

This Episode:
The Troubleshooter adapted for radio aired originally October 12, 1961 starring Robert Stack as Eliot Ness with guest star Peter Falk, who went on to do Columbo. In the summer of 1934, a new gambling device was sweeping the nation: the punchboards. Even though they were nickel-and-dime games, it added up, they made more money than the numbers racket. After Ness and his men smash some of the punchboard manufacturing sites, the 5 members running the punchboards hold a meet at a building by the freight yards.
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Wed June 25, 2008. 02:16 PM
MURDER BY EXPERTS
(1949-51, Mutual
130 30-minute episodes
Created by David Kogan
Writers: David Kogan
Directors/Producers: David Kogan And Robert A. Arthur
Hosts: John Dickson Carr (June 13, 1949-March 13, 1950)
and Brett Halliday (March 20, 1950-December 17, 1951)
Sound Effects: Mario Siletti
Guest experts: Alfred Hitchcock, Craig Rice
Guest stars: Ann Shepard, Larry Haines, Carl Eastman, Ann Sheperd, Bill Zuckert, Ralph Camargo, Burt Cullen, Lawson Zerbe, Marilyn Erskin
David Kogan, the writer/creator of Murder by Experts, also created and wrote The Mysterious Traveler.

THIS EPISODE:
July 23, 1949. Mutual network, WOR, New York aicheck. "The Creeper". Sponsored by: Sustaining, Bulova Watch (local). A suspense story about a mad killer who strangles his red-headed victims.  The program moved to Sundays at 10:00 P. M., being replaced in this time slot by, "The Damon Runyon Theatre." John Dickson Carr (host, narrator), Joseph Ruscoll (writer), Marilyn Erskine. 29:17.
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The Shadow - One of the most popular radio shows in history debuted in August 1930 when "The Shadow" went on the air. "Who knows what evil lurks in the hearts of men? The Shadow knows!" The opening lines of the "Detective Story" program captivated listeners and are instantly recognizable even today. Originally the narrator of the series of macabre tales, the eerie voice known as The Shadow became so popular to listeners that "Detective Story" was soon renamed "The Shadow," and the narrator became the star of the old-time mystery radio series, which ran until 1954. A figure never seen, only heard, the Shadow was an invincible crime fighter. He possessed many gifts which enabled him to overcome any enemy. Besides his tremendous strength, he could defy gravity, speak any language, unravel any code, and become invisible with his famous ability to "cloud men's minds."

THIS EPISODE:
1938. Syndicated. "The Message From The Hill". Sponsored by: B. F. Goodrich Tires. The Shadow foils a plot to rob a diamond mine. Orson Welles, Margot Stevenson, Ken Roberts (announcer). 1/2 hour.
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